

This Side of the Truth is set in a world in which the concept of lying doesn't exist; and the story centers on a loser (Gervais) who changes his lot when he invents lying and uses it to get ahead.


This Side of the Truth is set in a world in which the concept of lying doesn't exist; and the story centers on a loser (Gervais) who changes his lot when he invents lying and uses it to get ahead.










People who have seen the film, and there are not many at this point, have said the most astonishing part of the movie isn’t the storyline, which doesn’t contain any shocking new information. And it’s not the liberties the film takes with reality — like any biopic, it includes invented dialogue, and several lengthy real-life events have been telescoped into a few minutes of screen time. Instead, “W.” watchers say that Brolin has positively nailed Dubya, channeling his very soul in the same way Jamie Foxx inhabited Ray Charles’ skin in “Ray,” Joaquin Phoenix captured Johnny Cash in “Walk the Line” and Jim Carrey became Andy Kaufman’s reincarnation in “Man on the Moon.”
Brolin is said to be so impressive that there has been discussion of using his performance to market the entire picture. “He gives off such an amazing vibe that Lionsgate should promote the movie as a great dramatic piece, instead of hyping it as another Oliver Stone controversy, because that’s going to happen anyway,” said a source close to filmmakers. While viewers have an awareness of Stone that no other
director enjoys, the campaign will be very “Josh-centric,” confirmed a studio insider who requested anonymity.
As a result, expect Lionsgate to move hard for a best actor nomination come Oscar season in order to move more DVDs, with release of the home video version of the film expected to conincide with Academy Awards hoopla early next year.
Stone said he then chose Brolin, who was “not a star” but felt “more rural Americana.” According to the director, Brolin was “scared sh-tless” at the thought of mocking the sitting president — probably because he remembered the grief that his father, James Brolin, went through after playing Ronald Reagan in a CBS TV movie that ultimately got bumped from the network. But the younger Brolin dove into his work, spending hours perfecting his Texas twang and listening to speeches, press conferences and other material to strike a proper tone.
One thing to be grateful about: Unlike Stone’s previous presidential picture about Richard Nixon that ran an interminable 192 minutes (and 212 in the subsequent “director’s cut”), his take on Bush is way more concise. Advance word from the London Film Festival (where the picture will make its European debut) indicates it will clock in at a mere 110 minutes.





Mirren will play a former Mossad agent who, along with two colleagues, fails to capture a Nazi war criminal. They decide to cover their tracks, only for the criminal to resurface thirty years later, prompting Mirren to track him down before the truth can be revealed.
Seems like this could be a doozy of a role for the ever-wonderful Mirren – not only will there be a great deal of soul-searching and self-examination, there should be the chance to see a sixtysomething woman kick arse on the big screen.
To be honest, we should have seen Mirren’s casting coming the minute we discovered that the plot called for two actresses to play the main character – one in her thirties, and the other in her sixties. Quite frankly, there aren’t many actresses around these days who could handle a role like this – and Mirren is at the top of a very short list.















































A while back, there was a thoughtful article in the above-mentioned publication about Ellen Page and myself. The article was mostly about how passionately some people hate me. As I explained to my therapist the following day (ha) it's kind of weird to read something like that about yourself. On one hand, you feel defensive. On the other hand, you feel puzzled. You feel compelled to identify what it is about you that might inspire such vitriol. (I personally suspect the hate isn't that widespread; it's just loud.)
I thought about it. For months. I even wrote a screenplay on the theme. And then, finally, I figured it out.
I have a response to those who are still boring enough to lob insults in my direction. (Those of you who are friends, fans, enablers, or dislike my writing for legitimate, rational, nonpersonal reasons can tune out now if you like. This isn't for you.)
Anyone else? Bend thine ear:
I am not Charlie Kaufman or Sofia Coppola (much as I supplicate at their Cannes-weary feet.) I'm not Paul Thomas Anderson. I'm not even Paul W.S. Anderson. I am middle-class trash from the Midwest. I'm a competent nonfiction writer, an admittedly green screenwriter, and a product of Hollywood, USA. I am "Diablo Cody" and if you're not a fan, go rent Prospero's Books again and leave me the fuck alone.
I may have won 19 awards that you don't feel I earned, but it's neither original nor relevant to slag on Juno. Really. And you're not some bold, singular voice of dissent, You are exactly like everyone else in your zeitgeisty-demo-lifestyle pod. You are even like me. (I, too, loved Arrested Development! Aren't we a pretty pair of cultural mavericks? Hey, let's go bitch about how Black Kids are overrated!)
I'm sorry that while you were shooting your failed opus at Tisch, I was jamming toxic silicon toys up my ass for money. I get why you're bitter. I took exactly one film class in college and-- with the curious exception of the Douglas Sirk unit—it bored the shit out of me. I also once got busted for loudly crinkling a bag of Jujubes during a classroom screening of Vivre Sa Vie. I don't deserve to be here. We've established that. But I'm here. Five million 12-year-olds think I'm Buck Henry. Accept it.
(Incidentally, if you were me for one day you'd crumble like fucking Stilton. I am better at this than you. You're not strong enough, Film_Fan78. Trust me.)
I'm sorry to all those violent, semi-literate fanboys who hate me for befriending their heroes. I can't help it if your favorite writer, actor, director, or talk show host likes me. Maybe you would too, if we actually met.
I know my name is fake and that it annoys you. What, do you hate Queen Latifah and Rip Torn, too? Writers and entertainers have been using pseudonyms for years. Chances are, you're spewing bile under an assumed screen name yourself. I'm sorry if you think I'm like some inked-up quasi-Suicide Girl derby cunt from 2002, but I like my fake name. It's engraved on an Oscar. Yours isn't.
Listen: I've been telling stories my whole life. Even when I was a phone sex operator, I was the Mark Twain of extemporaneous jerk-off fiction. I took every perspiring creep on a fucking journey. I don't know how to do anything else.
I'm going to make more movies and shows. I doubt they'll all be good, but that's the nature of this life. Even though the public only knows me from one book, one movie, and several aborted blogs, I've spent the last few years hustling like Iceberg Slim out here to prove myself professionally. The people I currently work for, and with, are more than pleased with my post-Juno output. My pilot was so good (thanks, Toni Colette!) that it got picked up for series. That is rare, children. That is blue-rare.
In summation: you try it.
This is the last I have to say on the subject, unless I'm provoked by a journalist in which case I'll gladly reload. With relish, as Betty Rizzo might say. That said, I'm a 30-year-old woman with a dwindling interest in blog culture, and I don't have time to address this bullshit every time one of my projects comes out. I'm in love, I just bought a house, and my boss made E.T. I kind of have to focus on reality.
And drinking. I have to focus on drinking.

Cyrus Tipped For Teenage Sex Role
20 September 2008 7:02 AM, PDT
Sex + The City author Candace Bushnell wants teen sensation Miley Cyrus to play the young Carrie Bradshaw if her prequel novels are turned into movies of TV shows.
Bushnell has just signed a deal to pen two teen novels about her character Bradshaw's high school years and she'd love for Cyrus to take the lead in a TV or film spin-off.
When asked to name her new Carrie - a part Sarah Jessica Parker has played on the big and small screen - Bushnell said, "I don't know... What about Miley Cyrus?"
And it appears Cyrus is game - in a recent interview she said, "I'd love to do a younger, cleaner version of Sex + The City."
"Now, a lot of people come up here and thank Jesus for this award. I want you to know that no one had less to do with this award than Jesus. He didn't help me a bit. If it was up to him, Cesar Milan would be up here with that damn dog. So all I can say is suck it, Jesus, this award is my god now!" -- Kathy Griffin
Why do I love Kathy Griffin so much? How can anyone not love Kathy Griffin? She is so awesome! I am very happy that she won last week for her awesome reality show, Kathy Griffin: My Life On The D-List, which is like the only reality show that I watch, but she still has one more catagory to go... She has been nominated for Outstanding Variety, Music or Comedy Special for Kathy Griffin: Straight To Hell, which is just absolutely hilarious, and this time she may have a chance to give one of her famous speeches at the REAL Emmys, and not the "Schmemmys" as she likes to call the Creative Arts Emmys...
And if you have not been able to see Kathy Griffin: Straight To Hell, like me a little over an hour ago, well you're in luck, because it's on Youtube! Gotta love the power of youtube!

I think it will be a good night for the Emmys. I've noticed that the Emmys tend to be at it's best when it is on ABC, and NBC... Think about it. Last year it was on FOX, it sucked, and when it is was on CBS, it was alright, but when it has been on ABC and NBC it has always been great... So even with five hosts on Sunday night, the overall theme to "celebrate television" over the past 60 years, I have high expectations for it... It should be exciting! And I will post my predictions very soon!
-And also I thought I would bring up W. If you look on youtube, Oliver Stone has a new contest where you can create your own "mashup" for W., and if you win, you get a prize... But there are snipet-clips up on the page, so if you want to check that out, go to: http://www.youtube.com/WtheFilm.And speaking about W., here is a new cast photo from Vanity Fair:


Emmy Awards to Feature Ghosts From TV's Past
Tuesday , September 16, 2008
LOS ANGELES — Friendly ghosts from television's past will bring their ethereal charm to the 60th Emmy Awards.
Sunday's ceremony will feature surprise cast reunions, famous lines ("Marcia, Marcia, Marcia!") and beloved moments from the last six decades of television. Even the Nokia Theater stage will be getting into the act, dressing up as sets from iconic shows past and present, executive producer Ken Ehrlich told The Associated Press.
"We're paying homage to the heritage of the medium and the history, but we've tried to do it in a very contemporary way," he said. "We want to show the through line from what television has meant to us to what it is now."
The Emmy stage will masquerade as sets from "The Simpsons," "Mash" and "Desperate Housewives," among others, Ehrlich said.
"I'm going to marry some clips to each of the sets so you see them on the screen, they way you see them at home, and then you see them at the Nokia on our stage," he said. "I think it's going to be fun."
Presenters and categories will also be pegged to the scenes, creating a connection between past and current stars and shows.
Ehrlich, who has produced dozens of Emmy and Grammy telecasts, said he usually shies away from themes "because I think they can limit you from time to time." But creating a show that celebrates the history of television suited him just fine: "It really gave us opportunities to salute the medium," he said.
It also gives him a chance to reconnect with some of his favorite shows and stars: "I love popular culture," he said. "Especially (to work) with people you admire and respect — they've meant so much to so many people over the years."
The veteran producer also enjoys planning surprises for viewers. Prodded for details, he revealed that Josh Groban will perform on the program, and a popular TV cast that split more than a decade ago will reunite.
Charlie Sheen, Helen Mirren, Jeremy Piven and Kristin Chenoweth will help open the show by delivering popular TV catch phrases. (Guess who says, "Good morning, angels.") And Ehrlich hints that there will be several can't-miss moments.
"(Viewers) will want to see the reality-show hosts category," he said. "It's one of the most interesting ones on the show. It's not what you're expecting."


Whether or not that is an indication of things to come (mass appreciation, wide critical praise, awards recognition…you get the picture) I’m not so sure. Not every film that wins this award makes it in the outside world in a big way. But that doesn’t matter. What does is that it is on the map, and people are going to see it.




EDIT: Here it is:
Josh Brolin
After becoming a more well know name after last year's Oscar-winner No Country For Old Men, Josh Brolin may just become the name you will hear quite a few times in the coming months as he takes on playing the current President George W. Bush in Oliver Stone's W. And though he will get a lot of press for W., it will most likely be Milk that will give him the Oscar nomination. Though there is a chance he will get nominated for W., watch out for him in Milk. I wonder what the real George Bush will think about his version, of well, him!?!Elizabeth Banks
She is the "IT" girl of 2008! Watch out for her! Her name will be everywhere in the next couple of months, especially for playing the First Lady Laura Bush, as well as being in a "porno." Yes you read right. She will be starring alongside Seth Rogen in Kevin Smith's Zack And Miri Make A Porno as well as playing Laura Bush in W. How much more opposite can you get? Ha ha ha... She will also be seen in the comedy Role Models and the Toronto Film Festival gem Lovely, Still starring Martin Landau and Ellen Burstyn. But definetly watch out for Elizabeth Banks this season, especially for her Oscar chances for playing Laura Bush for Best Supporting Actress.Anne Hathaway
She is practically a lock after recieving amazing reviews for her role as the sister from hell who shakes things up at her sister's wedding in Rachel Getting Married. We all remember her from The Princess Diaries and then making the shift to "adultland" in The Devil Wears Prada, and now she has gone even farther in Rachel Getting Married, a role that will most likely finally get her a nomination. In the past, Hathaway has attended the Oscars as a presenter for a few years, now she might attend the Oscars as a nominee! So definetly look out for Hathaway as she may get Oscar nomination number one!Rosemarie DeWitt
She started to become well-known when she took on a role in (one of my favorite movies ever) Cinderella Man, starring alongside Russell Crowe, Renée Zellweger, Paul Giamatti, and Paddy Considine, which in real life she is the granddaughter of James Braddock, who the movie is about, but she became more recognizable after nabbing the lead role in Fox's Standoff alongside Ron Livingston and then AMC's Mad Men alongside Jon Hamm. Now, she stars alongside Anne Hathaway in Rachel Getting Married, and earning rave reviews as well, even some saying it would be a "crime" not to nominate her for Best Supporting Actress.Sally Hawkins
Hawkins is the "breakout" star of the year. She won the Best Actress award at the Berlin Film Festival and has been recieving great reviews for her role as Poppy, a cheery schoolteacher, in Happy Go Lucky. The film is by Mike Leigh, who is known for his leading (unknown) women who earn Oscar nominations for his movie (such in the past as Imelda Staunton in Vera Drake and Brenda Blethyn in Secrets and Lies). It looks as if it's Sally Hawkin's turn! Definetly look out for Sally Hawkins as her chances are looking good for an Oscar nomination.Richard Jenkins
What a role of a lifetime for this 61 year old! His role as Professor Walter Vale in the indie-gem of the year, The Visitor, was Jenkins's first lead role in a movie. In the past, he has been known for playing the supporting roles, but this time it was all about him! He was unbelievable in The Visitor, and he truly deserves an Oscar nomination! He earned rave reviews as The Visitor started to become bigger and bigger, and what a way to reward Jenkins then with a nomination! It would be the most deserved nomination among all of the nominees!Michael Sheen
He should've got a nomination for playing Tony Blair in The Queen, but he was wrongfully shut out from recieving a nomination. Though the BAFTA Awards nominated him... But now he has another chance! He plays David Frost, the reporter who interviews President Richard Nixon, played by Frank Langella, post-Watergate. Sheen is reprising his role as Frost from the original stage version of Frost/Nixon, as Langella is doing the same. Sheen may finally get that nomination that he deserves!Kodi Smit-McPhee
It seems to be that Kodi Smit-McPhee may be the child nomination of the year. He recieved rave reviews from down under in Australia for Romulus, My Father, in which he won the Australian Film Institute award for his role, but it may be his role in the Cormac McCarthy adapation The Road that will kickstart his future acting career as he stars alongside Viggo Mortensen and Charlize Theron in the post-apocalyptic tale about a man (Mortensen) and his son (Smit-McPhee) trying to survive by any means possible.Viola Davis
You may recognize Viola Davis from Antwone Fisher, in which she recieved an Independent Spirit nomination, as well as tv shows Century City and Traveler. Now, she stars alongside Meryl Streep, Philip Seymour Hoffman, and Amy Adams in Doubt. In the original stage version, Adriane Lenox won the Tony Award for the role as Mrs. Muller, which is the role Davis is playing in the film adapation.James Franco
James Franco is being considered the next James Dean, but wait, didn't he already play him? The resemblance is striking, which led Franco to win a Golden Globe for his portrayl as Dean as well as earning an Emmy Award nomination for the role. Since then, Franco has starred in the Spider-Man series alongside Tobey Maguire and Kristen Dunst, Flyboys, and most recently Pineapple Express, in which he has now become more well-known. Now he is starring in a supporting role in Milk alongside Sean Penn. To get an idea of Franco's character in Milk, in which he play's Penn's character's gay partner, see this interview that Franco did with Jimmy Kimmel on his late-night talk show, Jimmy Kimmel Live!:





Robert Malone (Martin Landau) is an elderly perennial bachelor who leads a tidy, uneventful and some might even say empty life. This Christmas, for whatever reason, Robert is feeling the lack of family more keenly than usual. Then one day, like a single man's dream, Robert comes home from his job at a grocery store to find a beautiful woman in his house.
Her name is Mary (Ellen Burstyn), and while Robert is initially shocked and angry, she quickly explains that she has just moved in across the street, saw his door open, and was concerned for the welfare of the homeowner. Their flap settled, Mary is on her way out when she turns to Robert and pertly asks him out to dinner. A little nonplussed, Robert agrees, and thus begins a late-life courtship that leaves the bachelor in a constant state of wonderment and surprise. He eventually must admit that he is falling in love.
But there's something about Mary that seems not right. She's overeager, almost pushy, in the way she engages Robert almost every hour; within days, they are like teenagers, conjoined in first love. Robert is besotted, but soon becomes unnerved by the intensity of his love. He grows paranoid, jealous and erratic, all from fear of losing her. At this point, the narrative takes an extraordinary turn, with a development in the spirit of Alfred Hitchcock or the novelist Daphne du Maurier. This tectonic shift in perspective leads to a powerful, tremendously moving conclusion, made all the richer by a heightened understanding of what has come before.
Lovely, Still is a remarkable achievement for so young a first-time director as Nik Fackler, who understands that bringing together two Academy Award®-winning actors of extraordinary ability can only elicit great expectations from the audience. Lovely, Still meets its full potential and provides a challenging and fulfilling experience that will linger in the viewer's memory for some time to come.


The song is really good, kudos Bruce, I love it, but even though The Wrestler just won over at Venice, I really am still not completely sold on this yet, but maybe I should just see the movie when it comes out, but I'll be damned if the Oscar voters open their arms really wide for this movie come nomination time...







But now that I got that off my chest, Rachel Getting Married just premiered at the Venice Film Festival, and boy what a reaction it got! It is being called a "breath of fresh air" after all the lacklusters that have been premiering there so far in the main competition. Review after review, Anne Hathaway is getting MAJOR Oscar buzz for her role as Kym, the sister from hell who has been in and out of rehab and shows up for her sister's wedding.

Rosemarie DeWitt, who plays Rachel, the sister, has also earned major Oscar buzz as well for Best Supporting Actress, with Kris Tapley at In Contention saying:
"Top honors go to Ms. Dewitt, who harnesses her character’s hypocrisies while maintaining an even keel within Lumet’s most complex creation. She approaches the warmth of sisterly familiarity and the sizzle of bridezilla conceit with equal aplomb, making for the film’s most fully realized performance."
The Times Online also had this to add (http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article4668737.ece):
"Hathaway was matched in the film by Rosemarie DeWitt (best known for her role in the television series Mad Men) as Rachel, the sister who resents the fact that Kym’s demons look set to upstage her wedding. Witty, insightful and poignant..."
And The Star adding this (http://www.thestar.com/entertainment/FilmFest/article/488130):
"Jonathan Demme smartly directs Hathaway and DeWitt in a championship tussle of raging talents, the prize being likely nominations for both women when award season rolls around."

Debra Winger has also been recieving some buzz, but even though her role is "small," it is being called "memorable," as she plays the matriarch of this dysfunctional family.
And with critics going ga-ga over RGM, let's see what some have to say:
Over at Screen Daily (http://www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=40522):
Hand-held, free-wheeling and at times joyously spontaneous, the dogme-like Rachel Getting Married sees Jonathan Demme paying tribute to Robert Altman (in particular A Wedding) but there's such a large dose of music in here it almost forms a genre of its own... Packed with superb performances, in particular from Anne Hathaway in the lead role and Debra Winger in a small supporting turn she makes memorable, Rachel Getting Married will undoubtedly be up for awards consideration in the major categories.
And at The Times Online (http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4670206.ece):
A mercurial handheld camera flits through the family home, picking up on the subtle ebb and flow of tensions and recriminations, the anxieties that weigh on the family thanks to the presence of the chaotic, damaged, self-described “Shiva the destroyer”. The screenplay, by Jenny Lumet, is smart, spiky and observant. She has a knack of dropping unexpected revelations into scenes that send the film off into new directions.
It’s remarkable that, given how deeply unsympathetic and self-obsessed her character is for much of the film, Hathaway manages to make her so likeable.











Hathaway Hits Bottle For Old Roles
September 1, 2008
Actress ANNE HATHAWAY knows how to look old and haggard for a role - she gets drunk the night before filming.
The Devil Wears Prada star makes sure she goes into work hungover every time she needs to shoot scenes where her character looks worn out.
She says, "We were filming a take once where my character had aged. We had tried shooting a few scenes and we all still looked fairly young underneath all of our make-up.
"So we were just trying out ideas and I suggested, 'What if we got drunk the night before and came in feeling hung over the next day? I think we would come in feeling a bit rough and maybe that would make us a little tired and have a little less energy so we look older.'
"So we all did it and it worked. Now I swear by it."




The film then proceeds to tell his life story, from the time he was a little kid until that very moment, explaining that experiences throughout his life helped him specifically answer every last question - destiny. We discover in the end that he just never gave up in his pursuit to find a girl who he has been in love with all his life, Latika (Freida Pinto).
This film was a pleasing combination of the realism of City of God, the comedy of Darjeeling Limited, and the style of Danny Boyle. There was never a dull moment throughout the entire thing, compliments of Mr. Boyle, whose filmmaking I already love. That style which I speak so highly of involves very colorful cinematography, fast-paced action, songs and a score that add even more energy to many moments in the film, and a storytelling style that differs from almost every other indie filmmaker. If you can appreciate this kind of style, mixed into one of the most uplifting and charming stories all year, despite it's riddled with the occasional torture or riot, you'll end up loving Slumdog Millionaire as much as I did. I've never even really liked Bollywood either, but by the credits at the end, where the entire cast breaks out into a dance number, even I was enthralled by this wonderful finale. Slumdog is another wonderful film from the creative genius of Danny Boyle.
I think Slumdog Millionaire can definitely push its way to mainstream success and it will be greeted with open arms, all because it's such an entertaining, fun, and upbeat movie.
Patel, with his wide-eyed openness and mournful brown eyes, utterly charms as Jamal -- I want to see much more from this young actor in the future -- and all the cast, including the kids who play Jamal, Latika and his brother in their childhood, bring life and energy to their roles. Sweeping cinematography by Anthony Dod Mantle brings the slums of Mumbai to life, finding the beauty and humanity amidst crushing impoverishment that most of us those who will see the film could never imagine surviving, much less thriving in.
There's sadness and tragedy within Slumdog Millionaire -- starvation, genocide, child prostitution and overwhelming oppression -- but there's humor, humanity and dignity as well. Boyle, stepping outside the UK to focus his lens on India, seems to have freed himself here to bring his brilliance as a director to its fullest fruition. Slumdog Millionaire is Boyle's best film to date, which is saying quite a lot; He's made a joyous, fun, and wonderfully accessible film that should play well in Toronto before moving on to wider release.